About

post(s) is a biannual peer-reviewed academic journal published by the Universidad San Francisco de Quito USFQ. The journal engages with contemporary debates in cultural studies and artistic practices, fostering interdisciplinary approaches to the study and production of visual culture and contemporary thought, as well as to critical inquiry and theoretical reflection.

The thematic focus of each issue is developed collaboratively by the journal’s editorial directors and invited guest editors. post(s) foregrounds professional, artistic, and academic praxis, positioning creative practice as a central axis of the publication. In addition to publishing scholarly research articles, the journal also provides a platform for experimental and performative forms of writing and knowledge production that expand conventional formats of academic inquiry.

Current IssueVol 12 (2025): post(s) 12

Published December 15, 2025

Issue Description

The 12th volume of post(s) journal, edited by Bolivian-German writer and cultural programmer Max Jorge Hinderer Cruz, explores the creative tension inherent in constitutional processes. This tension is fueled by opposites and even antagonistic forces. This edition reflects on constitutions from the perspective of the tensions they embody. 

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Table of Contents

Introducción

Constitutions
Max Jorge Hinderer Cruz
12-19
DOI: https://doi.org/10.18272/posts.v12i1.4102

Akademos

From the Socialist-inspired Multinational State to the Indigenous Reinvention of Plurinationality in Bolivia: a Genealogical Perspective
Salvador Schavelzon
22-45
DOI: https://doi.org/10.18272/posts.v12i1.4056
Carta de Chile: Score, Constitution and Memory. A Performative Exploration
Enrique Schadenberg
46-67
DOI: https://doi.org/10.18272/posts.v12i1.3803
From the Cemetery to the Screen: the Digital Evolution of the Cult of the Dead
Cora Levin
68-81
DOI: https://doi.org/10.18272/posts.v12i1.3721
Sin Título: El arte de lo constitutivo
Lucas Andino, Olivia Joret
82-93
DOI: https://doi.org/10.18272/posts.v12i1.3756
Trenzado Gaucho: Resilience, Sustainability, and Worldview
Lucía Scarselleta
94-113
DOI: https://doi.org/10.18272/posts.v12i1.3770
The Corporeal Division of the World, or Aesthetic Ruination
Rizvana Bradley, Anamaría Garzón Mantilla
114-147
DOI: https://doi.org/10.18272/posts.v12i1.4110

Radar

Non-Human Rights: A Review Fifteen Years Later 
Paulo Tavares
150-169
DOI: https://doi.org/10.18272/posts.v12i1.4010
Autoritarismo, censura y lo cuir en el Chile (pos)golpe
aliwen muñoz
170-195
DOI: https://doi.org/10.18272/posts.v12i1.3808
Revealing Indigenous Land Struggles in Peruvian Cinema: The Legacy of Runan Caycu (1973) A conversation between Nora de Izcue and Florencia Portocarrero
Florencia Portocarrero, Nora de Izcue
196-215
DOI: https://doi.org/10.18272/posts.v12i1.3832
A Story Within a Story, Within a Story, Within a Story...
Elvira Dyangani; Bernarda Troccoli
216-227
DOI: https://doi.org/10.18272/posts.v12i1.4111

Videre

Ñuka Shuti Man (my name is)
Colectivo Tawna , Sani Montahuano, Mukutsawa Montahuano, Boloh Miranda, Enoc Merino, Lucía Villaruel, Tatiana López
230-243
DOI: https://doi.org/10.18272/posts.v12i1.4060
As Above, So Below
Ana Alenso
244-263
DOI: https://doi.org/10.18272/posts.v12i1.4009

Praxis

Oratorio for a Constitution of the Earth
Marcelo Expósito
266-277
DOI: https://doi.org/10.18272/posts.v12i1.3948
Tactics of Transmission 
Natalia Lassalle-Morillo, Sofía Gallisá Muriente
278-303
DOI: https://doi.org/10.18272/posts.v12i1.4099
The Power Raffle: a Forgetful Chronicle of a Country Movingto the Rhythm of Absurdity
Gabriela Rosero Delgado, Juan Arellano Jara, Jorge Carrillo Grandes
304-321
DOI: https://doi.org/10.18272/posts.v12i1.3776
About the Sky and Memory
Denise Neira Vieira, Gabriel Barreto, Daniel Mena
322-335
DOI: https://doi.org/10.18272/posts.v12i1.3773
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