About

post(s) is a biannual peer-reviewed academic journal published by the Universidad San Francisco de Quito USFQ. The journal engages with contemporary debates in cultural studies and artistic practices, fostering interdisciplinary approaches to the study and production of visual culture and contemporary thought, as well as to critical inquiry and theoretical reflection.

The thematic focus of each issue is developed collaboratively by the journal’s editorial directors and invited guest editors. post(s) foregrounds professional, artistic, and academic praxis, positioning creative practice as a central axis of the publication. In addition to publishing scholarly research articles, the journal also provides a platform for experimental and performative forms of writing and knowledge production that expand conventional formats of academic inquiry.

Current IssueVol 13 (2026): post(s) 13

Published June 15, 2026

Issue Description

The 13th issue of post(s) journal, edited by artist and researcher Ilana Boltvinik, explores the intersections between art, research, and environment, offering a powerful approach to living and communicating through a passion for knowledge, through the untamed nature of the art field, and through environmental awareness.

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Table of Contents

Introducción

Filaments and Assemblages: Ecotones in Arts-Based Research
Ilana Boltvinik
12-21
DOI: https://doi.org/10.18272/post(s).v13i.4375

Akademos

Notes From the Unfolding of a Lithium Battery: Control of Bodies and the Normalization of Difference
Lucía Rodríguez Fernández
24-45
DOI: https://doi.org/10.18272/post(s).v13i.4120
Nature through Acceleration. Regimes of Visuality in the Guano Ecosystem Between the 19th and 20th Centuries
Raúl Sebastián Silva Cuevas
46-89
DOI: https://doi.org/10.18272/post(s).v13i.4172
Haibun of The Castle Lagoon. A Ruinous Convergence Between Natura & Polis
Alejandro Sánchez Vigil
90-117
DOI: https://doi.org/10.18272/post(s).v13i.4145
Filmar la espesura de los ecotonos del cuidado: una herramienta exploratoria en proceso
Géraldine de Neuville
118-135
DOI: https://doi.org/10.18272/post(s).v13i.4121

Radar

The Real and Authentic Story of a Wonderful Fruit Called Pineapple
Diana Barquero-Pérez
138-156
DOI: https://doi.org/10.18272/post(s).v13i.4134
Unseen Foods: Experimental Cartographies of Multispecies Relations
Valentina Tobón , Luz Álvarez Garzón, Juan Esteban Garay
154-167
DOI: https://doi.org/10.18272/post(s).v13i.4081
ONDA
Sofía Acosta
168-187
DOI: https://doi.org/10.18272/post(s).v13i.4122
Flock of Voices: Reflections on Creation, Researchand Archiving around the AVEs Project
Jorge David García
188-203
DOI: https://doi.org/10.18272/post(s).v13i.4139

Videre

Mantis/Nepenthes
Martina Miño Pérez
206-218
DOI: https://doi.org/10.18272/post(s).v13i.4133
The Body of Water
Maria Campiglia Calveiro
220-235
DOI: https://doi.org/10.18272/post(s).v13i.4132

Praxis

Plastic Aches
Andrea Guízar
238-259
DOI: https://doi.org/10.18272/post(s).v13i.4144
Sprouts to Fallow the World
Mauricio Patrón Rivera, Emilia López, Ana Emilia Felker, Esteban Azuela
260-275
DOI: https://doi.org/10.18272/post(s).v13i.4135
Chimborazo: Relational Practices in a Shifting Landscape
Estefanía Piñeiros
276-289
DOI: https://doi.org/10.18272/post(s).v13i.4142
Crystallizing the Void: Between Mineral Life,Technologies, and More-than-Human Ecologies
Angel Salazar
290-305
DOI: https://doi.org/10.18272/post(s).v13i.4131
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