Vol. 2 (2016): post(s) 2
Introducción

(A few) Ideas about Performance Studies and Academia

PDF (Español (España)) HTML (Español (España)) XML (Español (España))
  • Anamaría Garzón Mantilla
Anamaría Garzón Mantilla
Universidad San Francisco de Quito
Bio
DOI: https://doi.org/10.18272/posts.v2i1.809

Published 2016-08-01

Keywords

  • academia,
  • performance,
  • research,
  • interdisciplinary,
  • experimental

How to Cite

Garzón Mantilla, A. (2016). (A few) Ideas about Performance Studies and Academia . Post(s), 2(1). https://doi.org/10.18272/posts.v2i1.809

Copyright (c) 2016 Anamaría Garzón Mantilla

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Abstract

In this edition of post (s), we present some essays that somatize notions of performance and performativity. The call for this monographic series is open and not all topics fall under that umbrella. However, these performative and performed essays are a symptom that we would like to go viral and spread in the following editions, as they propose ways of investigating and creating through/from/ with the body, unfolding starchy disciplinary tissues by tradition. These essays open up as toolboxes for thinking about one's identity as performance, for understanding how the files of the invisible, gestures, construct meanings. They speak of the performativity of language, using words as objects, making them mean not so much for their semantic load, but for their sculptural condition. There are also essays that talk about the way in which artifacts influence the performativity of everyday life and essays with incomplete stories, built with the body in motion, with transits that do not end.

PDF (Español (España)) HTML (Español (España)) XML (Español (España))

Downloads

Download data is not yet available.

References

  1. Auslander, P. (1999). Liveness. Performance in a Mediatized Culture. London: Routledge.
  2. __________. (2006). The Performativity of Performance Documentation. A Journal of Performance and Art, 28 (3), 1-10.
  3. Austin, J.L. (1998). Cómo hacer cosas con las palabras. Barcelona:Paidós.
  4. Alexander, B. K. (2005). Performance Ethnography. The Reenacting and Inciting of Culture. In N. K. Denzin, & Y. Lincoln, The Sage Handbook of Qualitative Research (pp. 411-441). California: Sage.
  5. Alexander, B. K. (2006 ). Performing Black Masculinity: Race, Culture, and Queer Identity. Lanham: AltaMira Press.
  6. Butler, J. (2004). Undoing Gender. New York: Routlegde.
  7. Butler, J. (2002). Cuerpos que importan. Barcelona: Paidós.
  8. Butler, J. (2015 ). Notes Towards a Performative Assembly. Cambridge: Harvard University Press.
  9. Barthes, R. (1994). La muerte del Autor. In R. Barthes, El Susurro del Lenguaje. Barcelona: Paidós.
  10. Bial, H., & Brady, S. (2016). The Performance Studies Reader (3rd. ed.). London: Routledge.
  11. Birch, A. (2012). Performing Site-Specific Theatre. Reino Unido: Palgrave&MacMillan.
  12. Coleman, S. (2013). How Voters Feel. New York: Cambridge University Press.
  13. Conquergood, D. (2002). Performance studies: Interventions and radical research. The Drama Review 46 , 145-156
  14. Davies, D. (2004). Art as Performance. London: Blackwell
  15. Goldberg, R. (1979). Performance. Live Art 1909 to the Present. New York: Harry N. Abrams, Inc. Publishers.
  16. Jackson, S. (2004). Professing Performance. Theatre in the Academy from Philology to Performativity. United Kingdom: Cambridge University Press
  17. Jackson, S. (2011) Social Work. Performing art, supporting publics. New York & London: Routledge
  18. Jones, A. (1997). "Presence" in absentia. Experiencing Performance as Documenta-tion. Art Journal, Performance Art: (Some) Theory and (Selected) Practice at the end of This Century, 56 (4), 11-18.
  19. Jones, A. (2015). Performar, performatividad, performance... y la política del rastro material. In C. Pontbriand, Per/Form. Cómo hacer cosas con (sin) palabras (p. 352). Madrid: CA2M y Sternberg Press.
  20. Kuppers, P. (2003). Disability and Contemporary Performance. London: Routledge.
  21. Lepecki, A. (2006). Exhausting Dance. Performance and the politics of movement. London: Routlegde.
  22. Lichtenfels, P., & Rouse, J. (2013). Performance Politics and Activism. Reino Unido: Palgrave MacMillan.
  23. Muñoz, J. E. (1999). Disidentifications: Queers Of Color And The Performance Of Politics. Minnesota: University of Minnesota Press
  24. Madison, S., & Hamera, J. (2005). Performance Studies at the Intersections. In J. Hamera, & S. Madison , The Sage Handbook of Performance Studies (p. xii). California: SAGE
  25. Phelan, P. (1993). Unmarked. The Politics of performance. Londres: Routledge
  26. Pontbriand, C. (2015). Per/Form. Cómo hacer cosas con (sin) palabras. Madrid : CA2M y Sternberg Press.
  27. Schechner, R. (2003). Performance Theory. New York & London: Routledge.
  28. Schechner, R. (2013). Performance Studies: An Introduction (3rd. ed.). New York & London: Routlegde.
  29. Schechner, R. (2014). Performed Imaginaries. New York & London: Routledge.
  30. Richardson, E. (2013, January). Using Performance in Human Geography: Conditions and Possibilities. Kaleidoscope: The Interdisciplinary Postgraduate Journal of Durham University"™s Institute of Advanced Study, 124-133.
  31. Taylor, D. (2001). Hacia una definición del performance. Retrieved 5 16, 2016, from Performancelogia: http://performancelogia.blogspot.com/2007/08/hacia-una-definicin-de-performance.html
  32. Taylor, D. (2016). Performance. Durham: Duke University Press

Most read articles by the same author(s)