Akademos
Publicado 2025-12-15
Palabras clave
- aesthesis negra,
- ruina estética,
- corporalidd,
- régimen racial
Derechos de autor 2025 Rizvana Bradley, Anamaría Garzón Mantilla

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
Cómo citar
Bradley, R. ., & Garzón Mantilla, A. (2025). La división corporal del mundo, o la ruina estética. Post(s), 12, 114-147. https://doi.org/10.18272/posts.v12i1.4110
Resumen
«La división corporal del mundo, o la ruina estética» es el segundo capítulo del libro Anteaesthetics. Black Aesthesis and the Critique of Form, publicado por Stanford University Press en 2023. Agradecemos infinitamente a Rizvana Bradley y a la editorial por permitirnos
traducir y compartir este trabajo en español.
Descargas
Los datos de descarga todavía no están disponibles.
Referencias
- Du Bois, The Souls of Black Folk (Chicago: A. C. McClurgh, 1903), p. 213.
- David Bindman y Henry Louis Gates Jr. (eds.), The Image of the Black in Western Art, vol. 4: From the American Revolution to World War I, «Part 1: Slaves and Liberators» (Cambridge: Harvard University Press, 1989), p. 119.
- Alexandre Corréard y Jean-Baptiste-Henri Savigny, Narrative of a Voyage to Senegal in 1816 (Middlesex: Echo Library, 2007 [1817]). Para una revisión histórica reciente, ver Jonathan Miles, The Wreck of the Medusa: The Most Famous Sea Disaster of the Nineteenth Century (Nueva York: Grove Press, 2007).
- Darcy Grimaldo Grigsby, Extremities: Painting Empire in Post-Revolutionary France (New Haven: Yale University Press (2002), p. 168.
- Albert Alhadeff, Théodore Géricault, Painting Black Bodies: Confrontations and Contradictions (Londres: Routledge, 2020), pp. 30-31. DOI: https://doi.org/10.4324/9780429316333
- Hugh Honour, «Philanthropic Conquest», en Bindman y Gates, Image of the Black in Western Art.
- Thomas Crow, Restoration: The Fall of Napoleon in the Course of European Art, 1812–1820 (Princeton: Princeton University Press, 2018), p. 187. DOI: https://doi.org/10.1515/9780691253046
- Crow, Restoration, p. 181.
- Charmaine Nelson, The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America (Minneapolis:
- University of Minnesota Press, 2007), p. 127.
- Nelson, p. 68, passim.
- Carol Ockman, Ingres’s Eroticized Bodies: Retracing the Serpentine Line (New Haven: Yale University Press, 1995), p. 4.
- Frantz Fanon, The Wretched of the Earth, trad. Constance Farrington (Londres: Penguin Books, 1963).
- David Marriott, «The Racialized Body», en David Hillman y Ulrika Maude (eds.), The Cambridge Companion to the Body in Literature (Cambridge: Cambridge University Press, 2015), pp. 163-76, 167. DOI: https://doi.org/10.1017/CCO9781107256668.012
- Marriott, «The Racialized Body», p. 167.
- Linda Nochlin, The Body in Pieces: The Fragment as a Metaphor for Modernity (Nueva York: Thames and Hudson, 1994), p. 53.
- Rancière, Aisthesis, pp. 1-21; Johann Joachim Winckelmann, The History of Ancient Art, trad. G. Henry Lodge (Boston: James R. Osgood and Company, 1880).
- Christopher S. Wood, A History of Art History (Princeton: Princeton University Press, 2019), p. 155.
- Winckelmann, History of Ancient Art, p. 264, citado en Rancière, p. 1.
- Eric Hobsbawm, «The Making of a “Bourgeois Revolution”», en Ferenc Fehèr (ed.), The French Revolution and the Birth of Modernity (Berkeley: University of California Press, 1990), pp. 30-46, 40. Énfasis en el original. DOI: https://doi.org/10.1525/9780520335875-004
- Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History (Boston: Beacon Press, 1995).
- David Brion Davis, «The Impact of the French and Haitian Revolutions», en David P. Geggus (ed.), The Impact of the Haitian Revolution in the Atlantic World (Columbia: University of South Carolina Press, 2001), pp. 3-7, 5. DOI: https://doi.org/10.2307/j.ctvw1d76k.6
- Trouillot, Silencing the Past, p. 96.
- Athanassoglou-Kallmyer, p. 599; Anthea Callen, Looking at Men: Anatomy, Masculinity, and the Modern Male Body (New Haven: Yale University Press, 2018), p. 195.
- Eric Santner, The Royal Remains (Chicago: University of Chicago Press, 2011), p. 4.
- Richard Sherwin, «What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence», en Desmond Manderson (ed.), Law and the Visual: Representation, Technologies, and Critique (Toronto: University of Toronto Press, 2018), pp. 330-53, 336. DOI: https://doi.org/10.3138/9781442630321-015
- Ian Haywood, Romanticism and Caricature (Cambridge: Cambridge University Press, 2013), p. 6. DOI: https://doi.org/10.1017/CBO9781107360020
- Haywood, Romanticism and Caricature, p. 9.
- Natasha Gordon-Chipembere, «Introduction: Claiming Sarah Baartman, a Legacy to Grasp», en Natasha Gordon-Chipembere (ed.).
- T. Denean Sharpley-Whiting, Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French (Durham:Duke University Press, 1999), p. 21. DOI: https://doi.org/10.1515/9780822382799
- Spillers, Black, White, and in Color, p. 155.
- Peter Abélard, Les Lettres complètes, quinta carta (París: Garnier frères, 1870 [c. 1119–1142]), pp. 89-90, citado en Sharpley-Whiting, Black Venus, p. 1; traducción de Sharpley-Whiting.
- Alan Barbard, Hunters and Herders of Southern Africa: A Comparative Ethnography of Khoisan Peoples (Cambridge: Cambridge University Press, 1992), p. 7. DOI: https://doi.org/10.1017/CBO9781139166508
- Adrian Koopman, «The Use of the Ethnonym “Hottentot” in the Birdnames “Hottentot Teal” and “Hottentot Buttonquail”», Ostrich 92, n.o 1 (2021), pp. 151-55, 152. DOI: https://doi.org/10.2989/00306525.2021.1880194
- Sharpley-Whiting, Black Venus, p. 7.
- Lynda Nead, The Female Nude: Art, Obscenity, and Sexuality (Londres: Routledge,1992), p. 19. DOI: https://doi.org/10.4324/9780203328194
- Barrett, Racial Blackness, p. 216.
- Weheliye, Habeas Viscus, p. 90.
- Judith Butler, Senses of the Subject (Nueva York: Fordham University Press, 2015), p. 51.