Vol. 3 (2017): post(s) 3
Introducción

Ways to be undone: compositions for the present

Anamaría Garzón Mantilla
Universidad San Francisco de Quito
Bio

Published 2017-11-01

Keywords

  • Academia,
  • theory,
  • compositionist,
  • introduction

How to Cite

Garzón Mantilla, A. (2017). Ways to be undone: compositions for the present. Post(s), 3(1). https://doi.org/10.18272/posts.v3i1.996

Abstract

 

In the third edition of post(s), none of the texts is necessarily what it seems, as post(s) is neither a magazine specialized in music, dance, literature ethnographic methods nor art. But the themes that we present in this edition touch on those and other areas, finding loopholes to generate radically current interdisciplinary reflections. These are texts that look beyond disciplinary frames, that explore without taking steps in worlds already constituted; rather they aim to compose new relationships and build senses where disciplines can intertwine and articulate other interpretative possibilities. The following text provides a brief introduction to this edition.

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References

  1. Latour, B. (2010). An Attempt at a «Compositionist Manifesto». New Literary History, 41(3), 471-490. Retrieved from http://www.jstor.org/sta- ble/40983881
  2. Rogoff, I. ([2004] 2008), "˜What is a Theorist?"™, in J. Elkins and M. Newman, The State of Art Criticism, New York and London: Routledge, pp. 97-109.