Ways to be undone: compositions for the present
Published 2017-11-01
Keywords
- Academia,
- theory,
- compositionist,
- introduction
How to Cite
Copyright (c) 2017 Anamaría Garzón Mantilla
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Abstract
In the third edition of post(s), none of the texts is necessarily what it seems, as post(s) is neither a magazine specialized in music, dance, literature ethnographic methods nor art. But the themes that we present in this edition touch on those and other areas, finding loopholes to generate radically current interdisciplinary reflections. These are texts that look beyond disciplinary frames, that explore without taking steps in worlds already constituted; rather they aim to compose new relationships and build senses where disciplines can intertwine and articulate other interpretative possibilities. The following text provides a brief introduction to this edition.
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References
- Latour, B. (2010). An Attempt at a «Compositionist Manifesto». New Literary History, 41(3), 471-490. Retrieved from http://www.jstor.org/sta- ble/40983881
- Rogoff, I. ([2004] 2008), "˜What is a Theorist?"™, in J. Elkins and M. Newman, The State of Art Criticism, New York and London: Routledge, pp. 97-109.