Vol. 4 (2018): post(s) 4
Videre

Still River

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  • Christian Proaño,
  • Anamaría Garzón Mantilla
Christian Proaño
Artist
Bio
Anamaría Garzón Mantilla
Universidad San Francisco de Quito USFQ
Bio
DOI: https://doi.org/10.18272/posts.v4i1.1317

Published 2018-12-21

Keywords

  • sound,
  • natural landscape,
  • rivers,
  • non-human

How to Cite

Proaño, C., & Garzón Mantilla, A. (2018). Still River. Post(s), 4(1). https://doi.org/10.18272/posts.v4i1.1317

Copyright (c) 2018 Christian Proaño, Anamaría Garzón Mantilla

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Abstract

This visual essay is a series created by Christian Proaño. In his works, sound is always understood from a political agency that traverses social relations, from the readings of space, the affections, the human and the non-human. The resolution of this essay goes through the sound record, but also through the creation of visual elements that are extracted from the interpretation of sound.

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References

  1. Delehanty, Suzanne (1981) Soundings: An International Survey of Sound in the Plastic Arts. Purchase, New York: Neuberger Museum/State University of New York. Recuperado de: http://www.ubu.com/papers/delehanty.html
  2. Schafer, Murray (1994) The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books