Vol. 11 (2025): post(s) 11
Videre

Aesthetics of the Imperfect: the Ruin Versus the Anonymous and the Clandestine

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  • Ángel Hernández
Ángel Hernández
Teatro parea el fin del mundo
Bio
Portada del ensayo Estéticas de lo imperfecto: la ruina frente a lo anónimo y clandestino.

Published 2025-06-13

Keywords

  • ruin,
  • demolition,
  • wasteland,
  • resistance,
  • territory

Copyright (c) 2025 Ángel Hernández

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Hernández, Ángel. (2025). Aesthetics of the Imperfect: the Ruin Versus the Anonymous and the Clandestine. Post(s), 11, 230-247. https://doi.org/10.18272/posts.v10i1.3227

Abstract

This essay reflects on ruin, wasteland, destruction and their sense of anonymity through the artistic work of Teatro para el fin del mundo collective, which creates a platform for research and application of systems of scenic intervention in spaces conditioned by ruin and violence. This work includes notes on the application of the project Catálogo de demoliciones and a photographic record of the TFM Festival.

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