Vol. 7 (2021): post(s)
Radar

How do we get to Border Performance?

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  • Daril Fortis
Daril Fortis
Instituto de Investigaciones Culturales-Museo Universidad Autónoma de Baja California
DOI: https://doi.org/10.18272/post(s).v7i7.2418

Published 2021-12-13

Keywords

  • performance,
  • Border Art,
  • Tijuana-San Diego,
  • disappearance,
  • documented/ undocumented,
  • memory
    • ...More
    Less

How to Cite

Fortis, D. (2021). How do we get to Border Performance?. Post(s), 7(1), 208–227. https://doi.org/10.18272/post(s).v7i7.2418
Copyright Notice

Abstract

I share a reflection on my own research process of the history of performance art in Tijuana (Mexico), and the conception of the curatorial project La performance fronteriza, which explores the "˜disappearance"˜ of female artists/activists, favored by the hegemonic narrative of Border Art, conceptualized "˜on"˜ the Tijuana-San Diego border (USA), due to their "˜undocumented"˜ status, through the collective remembrance of the past of performance art to diversify the historical narrative of the artistic practice.

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References

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