Praxis
Published 2020-12-01
Keywords
- campuria,
- contemporary art,
- social unrest,
- activism,
- Chile yem
How to Cite
aliwen, aliwen. (2020). becoming campuria. Post(s), 6(1). https://doi.org/10.18272/post(s).v6i1.2105
Abstract
What can contemporary art practices tell us about the "Mapuche Conflict"? Perhaps what can be done from the arts and culture is insufficient, but updating the ways of practicing our Mapuce culture within the repertoire of contemporary possibilities is a form of resistance to postcolonial identity rootlessness; a way to denounce the abuses of our inalienable rights, and a lawen to heal neocolonial wounds in our bodies and spirits.
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References
- Núñez de Pineda y Bascuñán, F. (1673 [1863]). Cautiverio feliz, y razón de las guerras dilatadas de Chile. Colección de Historiadores de Chile y Documentos Relativos a la Historia Nacional.
- Tuck, E. y Wayne Yang, K. (2012). Decolonization is not a metaphor. Decolonization:Indigeneity, Education & Society 1(1), 1-40.