Culebra Cascabel: Delve into the sound until the theater emerges
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Published 2019-12-05
Keywords
- listen,
- improvisation,
- sound,
- expanded scenes
How to Cite
Copyright (c) 2019 Bertha Díaz Martínez
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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Abstract
This text explores the scenic dimension of a group based in Guayaquil, Ecuador, that works in sound improvisation in the expanded field. The experience is analyzed around the trajectory of its creator: Manuel Larrea, an experi- mental musician with a deep interest in the live scene. This essay presents the work of Manuel Larrea, but focuses on the project Culebra Cascabel, in order to challenge notions such as live dramaturgy, listening, community, repre- sentation, presentation, etc. This, because this group includes the body complexity involved in the act of creating sound improvisation, and also shows how various agencies can participate in the production of the scenic event.
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References
- Bardet, M. (2010). Pensar con mover. Buenos Aires: Cactus.
- Díaz, B. (2013). Los archivos del (en) movimiento sonoro de Manuel Larrea. El Apuntador 55. http://bit.ly/34VsIZ1
- Larrea, M. (2018). Segunda sesión del Ensamble Culebra Cascabel [e-mail].
- Nancy, J. (2009). A la escucha. Madrid: Amarrortu.
- Pavis, P. (2016). Diccionario de la performance y del teatro contemporáneo. Ciudad de México: Paso de Gato.