Vol. 13 (2026): post(s) 13
Introducción

Filaments and Assemblages: Ecotones in Arts-Based Research

Ilana Boltvinik
Universidad Veracruzana
Bio
Cover page

Published 2026-06-15

Keywords

  • art,
  • research,
  • ecotones,
  • more-than-human,
  • disciplinary borders

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How to Cite

Boltvinik, I. (2026). Filaments and Assemblages: Ecotones in Arts-Based Research. Post(s), 13, 12-21. https://doi.org/10.18272/post(s).v13i.4375

Abstract

This issue of post(s) is an invitation to approach the intersection of art, research, and environment as a powerful way of living and communicating through a passion for knowledge, through the untamed nature of the artistic field, and through environmental attentiveness. How can we learn to listen to the land, to engage in reciprocal dialogue with it, sustained by humility? A radical ecology, marked by a revealing intimacy.

References

  1. Balkema, A. W., & Slager, H. (Eds.). (2004). Artistic research (Lier & Boog Series, Vol. 18). Rodopi.
  2. Despret, V. (2022, 7 de diciembre). La lucha contra la extinción de las especies debería movilizar pasiones alegres. El Correo de la UNESCO.
  3. Mick, M. (2024). Designing ecotones: Engaging liminal space in the built environment. Ekistics and the New Habitat, 84(2), 45–55.
  4. Sullivan, G. (2006). Research acts in art practice. Studies in Art Education, 48(1), 19–35.