Vol. 10 (2024): Vol. 10 (2024): post(s) 10
Videre

Palimpsesto: Walls of the Outbreak

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Alex Díaz Belmar
Universidad Andrés Bello
Matilde Urzúa Monteverde
Universidad de Chile
DOI: https://doi.org/10.18272/post(s).v10i1.3403

Published 2024-12-02

Keywords

  • Chilean outbreak,,
  • photo,
  • installation,
  • visual anthropology

How to Cite

Palma, F., Díaz Belmar, A., & Urzúa Monteverde, M. (2024). Palimpsesto: Walls of the Outbreak. Post(s), 10(1), 144–161. https://doi.org/10.18272/post(s).v10i1.3403

Copyright (c) 2024 Felipe Palma

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Abstract

In the context of the Chilean social uprising of 2019, photographer Alexis Díaz Belmar directed a project titled Palimpsesto. Muros del estallido. This work showcases a series of walls in Santiago that served as canvases for capturing the diverse demands of the protesters. Based on a systematic photographic record of these walls, a multidisciplinary team was assembled to create a site-specific installation that functions as a visual calendar of the events.

PDF (Español (España))

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