Vol. 3 (2017): post(s) 3
Praxis

Undoing nostalgia: A conversation on David Kelley"™s antidotes to realism and modernity in Brazil

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  • David Kelley,
  • Tatiane Schilaro
David Kelley
University of Southern California
Biografía
Tatiane Schilaro
University of California Santa Cruz
Biografía
DOI: https://doi.org/10.18272/posts.v3i1.1005

Publicado 2017-11-01

Palabras clave

  • Modernidad,
  • modernización,
  • colonización,
  • explotación,
  • el Otro

Cómo citar

Kelley, D., & Schilaro, T. (2017). Undoing nostalgia: A conversation on David Kelley"™s antidotes to realism and modernity in Brazil . Post(s), 3(1). https://doi.org/10.18272/posts.v3i1.1005

Derechos de autor 2017 David Kelley, Tatiane Schilaro

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.

Resumen

In this conversation, North American artist, David Kelley, and Brazilian-born art historian and critic, Tatiane Santa Rosa, discuss the legacies of modernity and modernization in Brazil. How do artists interfere in modes of representation such as ethnography that have been shaped by modernity? While "pre-globalization" Western capitalist enterprises operated through modernization and fostered the exploitation of natural environments throughout Latin America, modernity, as a Eurocentric mode of knowledge, coupled the body of the Other with nature, ultimately reproducing perverse essentialist discourses linked to colonization. The authors discuss these themes through two of Kelley"™s works: Sieve (Pharmakon) and Transamazonia (Social Architecture).

 

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